REEL · STUDIO · 357 SECONDS · SUNG IN JAPANESE · ENGLISH SUBTITLE TRACK
時間を外す — Time Off, Price On
Three price-driven Japanese chart types that draw only when a price condition is met. The companion guide keeps every claim inside the film's reviewed BRIEF.md fact boundary.
Chapters
What the film explains
Do these charts ignore time completely?
Time still passes, but it does not force a mark. A price condition does.
Is 3% the best Kagi setting?
No. It is a historical working setting reported by Nison, not a universal optimum.
Why does Renko need 2B to reverse?
Opposite bricks cannot sit beside the last brick, so the first opposite brick needs a two-brick move from the last close.
Can synthetic Renko prices be used as fills?
They are unreliable as assumed backtest fills; use a separate price series and execution model.
Read the illustrated guide
English · ไทย · 日本語. The guide includes definitions, all twelve teaching diagrams, sources and honest limits.
Lyrics and English subtitles
| Japanese | English | Time |
|---|---|---|
| 朝もやの大阪 堂島の米市場 | Osaka morning mist — Dojima rice market | |
| 千七百三十年 公に許された | Officially authorised in 1730 | |
| 米の値を追う日々 日本の相場の源流 | Rice prices: roots of Japan's charting | |
| 時計を外した 三つの足の話 | A tale of three charts without a clock | |
| 千八百六十九年 明治の世に禁じられ | 1869 — banned by the Meiji government | |
| 七十一年 米の市はよみがえり | 1871 — the rice market is revived | |
| 千八百七十八年 東京 そして大阪 | 1878 — Tokyo, and then Osaka | |
| 株の取引所が 次々と開いた | Stock exchanges opened, one after another | |
| 鍵足はそのころ 株と生まれたと伝わる | Kagi arose with 1870s stocks, it is said | |
| 作り手の名は 伝わらない | Its maker's name was never handed down | |
| 新値足は明治 井上陽三郎に始まると | New-price charts: Meiji, Inoue Yosaburo — | |
| テクニカルアナリスト協会は そう伝える | so Japan's analysts' association says | |
| はじめは一本 三本はのちの定番 | One line at first; three became the norm | |
| 練行足の名は レンガから来たと伝わる | Renko: from renga, 'bricks', it is said | |
| 千九百九十四年 ニソンが書いた | 1994 — Steve Nison wrote | |
| ビヨンド・キャンドルスティックス 西の世界へ | Beyond Candlesticks — to the Western world | |
| 時間を外して 値段で描く | Take time off — draw with price alone | |
| 時が過ぎても 線は増えない | Time can pass, and no line is added | |
| 十二の終値 十二の印じゃない | Twelve closes are not twelve marks | |
| 条件そろえば ひとつ増える | Meet the rule, and one mark appears | |
| 鍵足は終値で 戻りの幅を決める | Kagi: use closes, set a reversal amount | |
| 上りの先が百で 幅が三なら | Rising tip at 100, reversal of 3 | |
| 九十九では曲がらず 九十七で折り返す | 99: no turn. 97: now it turns | |
| 前の肩は百八 百九で越えれば太い陽線 | Shoulder 108 → close 109: thick yang | |
| 前の腰は百一 百で割れば細い陰線 | Waist 101 → close 100: thin yin | |
| 触れただけでは 太さは変わらない | Just touching it changes nothing | |
| 割合なら三パーセント 五十ドルで一ドル五十セント | At 3%: on $50 the turn is $1.50 | |
| 七十ドルなら 二ドル十セント | On $70, it becomes $2.10 | |
| 長い目なら五パーセント ニソンの作図は四ポイント | Longer term 5% · Nison's example: 4 points | |
| 練行足は レンガの高さを五ドルでそろえる | Renko: every brick is exactly $5 tall | |
| 百から百五で一つ 百二十なら四つ | 100→105: one brick. 100→120: four | |
| 百三では まだ何も積まない | At 103, no brick at all | |
| 百五から戻るには レンガ二つ分 | Turning down from 105 takes two bricks | |
| 百ではまだ 九十五で初めて下のレンガ | 100: not yet. 95: first down brick | |
| 時間を外して 値段で描く | Take time off — draw with price alone | |
| 時が過ぎても 線は増えない | Time can pass, and no line is added | |
| 十二の終値 十二の印じゃない | Twelve closes are not twelve marks | |
| 条件そろえば ひとつ増える | Meet the rule, and one mark appears | |
| 新値三本足は 終値だけ 幅は決めない | Three-Line Break: closes, no fixed amount | |
| 前の高値が百五なら 百六で一本 | Last high 105: close 106 adds a line | |
| 百五ちょうどは描かない 越えてはじめて | 105 exactly draws nothing — exceed it | |
| 前の安値が九十八なら 九十七で下へ一本 | Last low 98: close 97 adds a down line | |
| 上げ三本の安値は 百 百三 百六 | Three up-lines' lows: 100, 103, 106 | |
| 九十九なら下へ転換 百ではまだ転ばない | 99 reverses down; 100 does not | |
| 下げ三本の高値は 百十 百七 百四 | Three down-lines' highs: 110, 107, 104 | |
| 百十一で一番上を越えて 上へ転換 | 111 clears the top, 110: reversal up | |
| フィルター一つ 入口の足一つ 損切り一つ | One filter, one entry chart, one stop | |
| 流れに沿う 待つ 降りる その三つだけ | With trend. Wait. Exit. Only those three | |
| 向きはこの足で 入る時はローソク足で | Direction here; entry timing on candles | |
| 横ばいの相場では 三つとも振り回される | In a sideways market, all three whipsaw | |
| 時間も出来高も 途中の道も消える | Time, volume, the path between — all gone | |
| レンガの値段は 本当の約定じゃない | Brick prices are not real backtest fills | |
| 今の画面では ATR十四本で レンガを測る | Today: size the brick with a 14-bar ATR | |
| 前が四で 真の値幅が六なら | Prior ATR 4, new true range 6 | |
| 十三かける四 足す六 割る十四 およそ四点一四 | (13×4 + 6) ÷ 14 ≈ 4.14 | |
| 小さな幅なら 印は多く速い | Smaller settings: more marks, faster | |
| 大きな幅なら 少なくゆっくり | Larger settings: fewer marks, slower | |
| 三本足は二 三 五 十 鍵足は三と五パーセント | Line break 2, 3, 5, 10 · Kagi 3% or 5% | |
| レンガは二と五 いちばんの設定はない | Bricks of 2 or 5 — no best setting | |
| 時間を外して 値段で描く | Take time off — draw with price alone | |
| 時が過ぎても 線は増えない | Time can pass, and no line is added | |
| 十二の終値 十二の印じゃない | Twelve closes are not twelve marks | |
| 条件そろえば ひとつ増える | Meet the rule, and one mark appears | |
| 明治の帳簿から あなたの画面へ | From Meiji ledgers to your screen | |
| 霧の飛び石 ひとつずつ渡る | Stepping stones in mist, one at a time | |
| 時間を外して 値段を聞く | Take time off — and listen to price | |
| フィルターであって 約束じゃない | A filter — not a promise |
How it was made
- Song — “時間を外す — Time Off, Price On”, Japanese, female vocal.
- Diagrams — twelve coded teaching diagrams from the film package.
- Player — reviewed phone MP4 now;
LONG_VIDEO_IDremains empty until a public YouTube ID exists.
Educational content, not financial advice. See Disclosure.